Savageland (2015) - An absolutely brilliant mockumentary done in the style of nearly every serial killer documentary you'll find, it tells the story of how an undocumented man supposedly murders an entire small town overnight, but the truth in much more complex and terrifying than one many being out of control. Photo evidence emerges that shows something bizarre happening to the town's residents, as well as someone, or something, that may have invaded and started the horrific chain of events. This is truly one of the most fantastic and believable horror mockumentaries I've ever encountered, and I'm sad that more people don't know about it. I highly recommend watching this one, to the point where I don't even want to mention what's actually happening here because I want people to be able to experience it the way I did. (Youtube:
trailer)
Apollo 18 (2011) - A found-footage horror/sci-fi movie about a secret lunar mission, headed by the US Department of Defense, with the intent of delivering a secret payload to the moon. When the astronauts arrive, they have to deal with equipment malfunctions, encountering a Soviet LK module and a dead cosmonaut, and oh yes, strange moon rocks that seem to move around and
might just have a creepy form of life within them. While this movie got a lot of negative reviews, I found it well done, believably like someone edited a lot of legitimate old footage together. It does feel like it took a lot of inspiration from
Alien and
Paranormal Activity, but then again, damn near every found-footage horror movie takes inspiration from
Paranormal Activity. I enjoyed it, at any rate, and I'm happy to recommend it to those who are into the sci-fi realm of horror, if you haven't seen it yet. (Youtube:
trailer)
The Black String (2018) - A man struggling with his life ends up calling a dating hotline, meeting up with a hot young woman, and then develops a horrible worsening rash. STDs alone aren't the horror, though, because he starts having vivid hallucinations, which force him to be institutionalized and then handed over to his parents (and holy crap, what an emotional scene that was, seeing a grown adult get infantalized by his parents because he's not living up to their expectations). But the source of all this crap is supernatural in origin, and he needs help stopping it all before the infection growing within him ripens and kills him. On their own, the movie's elements could seem derivative or uninspired, but Frankie Muniz does a fantastic job of bringing the horror of everything happening to his character to a deeply personal and uncomfortable level. I'm surprised I hadn't heard of this movie until now, because it's worth watching for Muniz's performance alone, not to mention the compelling horror-drama of what's really happening around him! (Youtube:
trailer)
Infrared (2022) - A ghost-hunting show gets access to a supposedly haunted building that no other teams have ever gotten access to before. Shenanigans ensue. I can't really say much about this movie because what you get is largely summed up by those two sentences. Some pieces of media expand their genres, while others exist comfortably within the boundaries, and this is one of the latter type of movie. I'd say it was aggressively mediocre, but there was one fantastically redeeming quality: the acting. The acting was really damn good here, especially at the end. Still, I'm not sure it's worth taking your time to watch because there are a hundred other movie like this, some of whom did the story much better. (Youtube:
trailer)
Home (2016) - A religious fundamentalist teen named Carrie moves in with her mother and her mother's new wife, and said new wife's child. The family are atheists, which horrifies the teen girl, until it starts to seriously look like the house is haunted and she's the only one who can save her new step-sister. The conflict between Christian and queer is done so awkwardly here, with the family being almost scandalized that Carrie wants to say grace at the table, and one of the women claiming that she's never been so uncomfortable in her own home. It comes off like something a fundamentalist would write about how straight white Christians are being so oppressed by the queer community. Anyway, the movie itself has some interesting moments, even though the pacing is atrocious, going from nothing happening to suddenly
DANGER to nothing happening to
LET'S DO AN EXORCISM! The ending technically made sense but wasn't what would have made the most sense and so felt like things were deliberately being set up a certain way only to pull the rug out from under the audience in a "clever" move. Also nearly all of the characters have the same name as the actors, for some odd reason. (Youtube:
trailer)
Kampon (2023) - A couple has conflicting wishes about children, which isn't helped by the sheer number of people who feel like it's their right to comment on whether or not someone else has a child! Ahem. Yes, anyway, one night a mysterious little girl shows up at their house, claiming to be the daughter of the husband, Clark. This kid also has mysterious powers of revival and floating, because... look, it's complicated. And I mean complicated.
Kampon is a movie that feels very much like someone had really good jigsaw pieces that don't quite fit together. The pieces are quality, but you have to do a lot to get a complete picture, and even when I read between the lines and tried to come up with a theory that explained things, I couldn't reconcile or explain everything. Bits still didn't fit. It could have been an outstanding piece of Philippine horror, but instead it just left me disappointed by the way the story elements weren't properly integrated. Still worth a watch, but adjust your expectations accordingly. Also watch out if you view this on Netflix because the subtitlers didn't bother applying subtitled when the actors spoke any lines in English, because screw the deaf and hard-of-hearing, I guess. (Filipino, subtitled) (Youtube:
trailer)